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Reverend Henry Kane

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Evil-doer

Reverend Henry Kane

Full Name
Henry Kane
Alias
The Beast, Reverend Kane, The Preacher, The Ugly Man (by Carol Anne), Kane
Origin
Poltergeist
Occupation
Preacher, leader of a forgotten 19th century Utopian cult
Powers / Skills
Supernatural powers, charisma, deception, illusions
Hobby
Preaching, obsessing over "The Light", stalking and haunting Carol Anne Freeling.
Goals
To capture Carol Anne Freeling and possess her soul.
Type of Villain
No information


Now, hold on to yourselves. There's one more thing: a terrible presence is in there with her. So much rage, so much betrayal - I've never sensed anything like it. I don't know what hovers over this house, but it was strong enough to punch a hole into this world and take your daughter away from you. It keeps Carol Anne very close to it, and away from the spectral light. It lies to her - it says things only a child can understand. It has been using her to restrain the others. To her, it simply is another child. To us, it is the Beast.
~ Tangina Barrons about the Beast (Reverend Henry Kane).
Let me in!
~ Reverend Henry Kane

Reverend Henry Kane is the main antagonist of the Poltergeist film series (although in the first film, he was simply named "The Beast") - in life, this angry ghost he was a leader and priest of a Satanic, 19th century Utopian cult who held an apocalyptic view on the world, sealing himself and his followers inside a cave system in area to die: this location would eventually be built over to make the home the Freeling family would reside in within Cuesta Verde in California and his dark soul wishes to abduct the youngest child of the Freeling family named Carol Anne, to use her innocence and her untainted life essence to capture souls trying to enter the afterlife. This origin story contradicts the original movie's plot but seems to be the official story of the sequels.

He was portrayed by Julian Beck in the second film and Nathan Davis in the final.

History

Life and Death

Kane was a reverend, possibly from the South, who started and became leader of a utopian cult in the early 19th century. However, Kane simply wanted to harvest the energy of his followers' spirits in the Afterlife to gain supernatural power; despite this, Kane is shown throughout the films to be a zealot, as he does believe in certain religious values. He led his "flock" into an underground cavern under the premise that the world was about to end, but in truth, Kane simply wanted to kill his disciples and himself and then harvest their souls in death. It is implied in Poltergeist II: The Other Side that Kane became enemies with an immortal Red Indian shaman known as "Medicine Man" who is also known as Taylor. The novelization for Poltergeist II: The Other Side states that Taylor is the reincarnation of an Indian named Ben Lagou; Lagou was a member of Kane's cult, but when he witnessed Kane's growing evil, he turned against him. Ben Lagou was briefly possessed when he drank tequila, just as Steve Freeling later would be. Ben was able to free himself from the possession, while Kane told his followers that had witnessed this event that Ben Lagou was evil. Kane's cult headed for the cavern and sealed themselves in. Ben tried to find Kane to stop him, but could not find him. He used his shaman abilities to reincarnate himself through lifetime after lifetime until he was reborn as Taylor, who helped the Freeling family defeat Kane.

The Beast

After Kane died, his ghost absorbed the energy from the souls of his followers and this fused with the power-hungry evil in his heart, transforming Kane into a monstrous apparition that the psychic Tangina Barrons would go on to call "The Beast". Kane/The Beast was able to gain his powers from his followers. However, he desired the energy of more souls which he could not obtain because they kept entering the Light, but when a house was built over his cavern in the 1980s and the Freelings moved in, Kane immediately sensed the power of the Freelings' daughter Carol Anne's innocence and because of her hidden clairvoyant abilities, and realized that it shone like the Light. As the Beast, Kane persuaded other benign spirits to join with him and his cult to abduct Carol Anne through the screen of a TV set (showing only static) and bring her to their realm, dubbed the "Other Side" where he could use her to attract more souls. Luckily, Carol Anne was rescued by her mother, Diane and brought back to the real world whilst Tangina was able to persuade most of Kane's minions to enter the Light. A vengeful Kane/The Beast used his remaining strength to make the corpses of his pawns rise from their graves and eventually consumed the entire Freeling house, but unfortunately for Kane, the Freelings escaped.

4 years later, Kane tracked Carol Anne to a new house where her grandmother, Grandma Jess's clairvoyance was able to forbid him from entering the house without permission before she passed away in her sleep. This is the moment that Kane takes his human form and attempts to gain the Freeling household's confidence but Carol Anne's father, Steven, manages to see through Kane's lies and Diane even has visions of Kane's life. This is known as the famous "Let Me In" sequence. After Grandma Jess dies, Kane attacks the Freelings but is stopped by the Medicine Man, now calling himself "Taylor". Taylor gives Steve the Smoke Spirit, which has the power to resist Kane's attacks. Kane also manages to possess Steve and in a disturbing scene, it is shown that Kane is also a rapist, as he tries to use Steve's body to rape Diane, this echoes a scene from Poltergeist, where the Beast telepathically drags Diane above her bed and lifts up her top to reveal her undergarments. Luckily, Diane's love for Steve forces Kane out of his body. At the end of the film, the Freelings travel to the "Other Side" and Kane is defeated by Steve using a magical spear that Taylor gave him. Kane and his cultists became lost in limbo.

In Poltergeist III, Kane manages to trace Carol Anne to her new home at the John Hancock Center and takes possession of the entire building, using the mirrors as a gateway to their world and getting his minions to take the form of reflections. Once again, Tangina comes to Carol Anne's aid but is captured by Kane. The now defenseless Carol Anne is almost taken by Kane but thanks to Tangina's sacrifice, a softer side to Kane is shown as he is offered redemption if he enters the Light, which he obliges to and moves on to the afterlife.

Powers and Abilities

In death, Kane possesses relatively canonical poltergeist powers such as possession, invisibility, transparency and telepathy. But he also contains a vast amount of power due to him harvesting the souls of his followers, enabling him to shapeshift and virtually bend all matter to his will. Kane is able to transform into demonic monsters. He also can create minions such as in the third film, where he transforms the protagonists' reflections into flesh and blood servants. Kane does however have various weaknesses that can be used against him.

  • He cannot enter the property of the living without access to an electric item or permission from the owner.
  • Clairvoyant energy acts as a barrier to his power.
  • Displays of good emotions, love, kindness, and belief weaken him, yet bad emotions such as rage, frustration and despair strengthen his evil.

Personality

Kane is the classic villain; he possesses characteristics such as psychopathy, sadism, and insatiable greed.

Gallery

Trivia

  • Only Kane's current incarnation is shown to the audience, Tangina Barrons simply reveals that he is The Beast. His attempts to abduct Carol Anne fail and he wreaks vengeance by exhuming the corpses of his followers and consuming the entire house.
  • Kane's backstory is revealed to the Freelings and he also reveals himself to them in human form. This is the film where his archenemy is revealed to be the Medicine Man, who, when asked by Steve, reveals that Kane is a man filled with a demon. Kane is also shown to be a frightfully cheerful man and this hints towards how insane he was in life. His insanity is shown again as he attempts to rape Diane Freeling. Thanks to the Medicine Man and Tangina, the Freelings escape yet again.
  • Kane traces Carol Anne to her new home at the John Hancock Center and manages to trick and capture Tangina, but this however turns out to be his downfall (or redemption) as Tangina ultimately offers to lead Kane into the Light, seemingly ending his reign of terror as the Beast, but in epilogue, ominous lighting strikes over the skyscraper and his maniacal laughter is heard, hinting that Kane may not be gone for good.
    • In Poltergeist III (known in Australia as Poltergeist III: The Final Chapter) (1988), he was played by Nathan Davis, but an uncredited Corey Burton provided his voice. He is depicted as a power-hungry zealot and a religious leader who predicted the "end of days" in order to entice his disciples into their uncertain and untimely doom.
  • Joseph Maddrey describes Kane as "a Jonestown-type father figure." Gregory Anderson refers to the character as "the most infamous villain in horror history...brilliantly portrayed by Julian Beck.".
  • Kane was depicted on the cover of Among the Living by Anthrax. The band stated in interviews that he was one of the things that scared them the most.
  • Kane had a cameo in the South Park episode Imaginationland.

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